Granted: As a black-and-white synopsis (all of which is shown in the trailer, so not counting any of it as a spoiler), this may inspire Why would I waste time with this flimsy crap? But that's the magic of this show, that its pulpy plotline (based on the 2017 novel of the same name by Sarah Pinborough) is like entering the world of a trashy beach read, except it's February and we're all sofa-bound.
She's got no friends, until- again, what are the odds!-she literally runs into her husband's secretary-lover on the street corner and the two go for a coffee. David explains to his wife Louise that he's out late because he's "working with addicts," which what even does that mean exactly? However Louise accepts this explanation and pursues her hobbies of walking around the house in fluttering kimonos when she's not laying back on a duvet midday and staring into the ceiling. David and secretary Louise try to be profesh but chemistry and plotlines being what they are, soon the two are making the beast with two backs (because British Netflix is the new Shakespeare) in a superheated manner just this side of Bridgerton. Adele inexplicably comes to work with her husband on his first day, which is not really explained except for she seems sort of clingy and maybe that's an English thing? The next day- what are the odds!-Louise goes into the small psychiatric office where she's a secretary and spies a new shrink on his first day with his wife, who turn out to be yes, the only other two adults we've been introduced to in the first 10 minutes of this program, Dr.
He lives with his wife Adele (Eve Hewson) in a posh minimalist home, but oops, he literally runs into winsome single mom Louise (Simona Brown) at the local bar, ends up having a clandestine drink and a kiss with her before muttering "I can't do this" and racing home.
The story centers on sexy psychiatrist-known profession of strapping hunks-David (Tom Bateman), who has just moved to London to start a new job.
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